A novel new art web site has launched today, and Kevin Sudeith is honored and excited to be included. The site, At The Gates of the West, features context about artists and their work, a rack of their artworks, and a dialogue with the artists. It is fun and interesting.
War rug art is fascinatingly educational friends! Temple University’s Samuel L. Paley Library, in room 309, is currently holding a Afghan war rug exhibition that contains 14 of my Afghan war rugs. These rugs tell stories and contain history which, ” helps contextualize a group of people that many Americans know very little about.” Theirs so much to be learned and talked about. Go check it out!
This show has curated by Alicia Cunningham-Bryant and student assistant curators, Ilana Napoli, and Rachel Morin.
I wanted to make work that communicated something personal rather than intellectual, something that wouldn’t protect me from embarrassment or rejection—so I decided to start painting myself. Not how I looked, but how I felt about myself and my body.
In January 2014 we received a new shipment of rugs from Afghan Turkmen weavers in Pakistan. They are an unusual designs using all natural dyes. The group of rugs is very limited, for the weavers only produced seven examples. The rugs are dated 2013, the wool is all hand spun, and no synthetic dyes are used. Rug #1531
“The anonymous weavers of six 1980s and 1990s-era “war rugs” — carpets whose motifs include land mines, guns and soldiers — may have had no formal training, learning from their relatives, but they have incorporated the grim realities of life in a war zone into their traditional craft.”