Traditional Patterns: Genisis for War Rugs

Here is another example in the continuing series exploring how traditional Baluchi designs have morphed into war rugs.


Man in Front of Pool

Some earlier examples of traditional Baluchi patterns morphing into war rugs are: Murray Eilland’s Shindani rug with camel, a round vase of flowers pattern, Checkered Flowers pattern, also called Lateef Khel, Two Deer patern, Vase of Flowers, and a pattern from the Weavings of War exhibition.

Smithsonian Magazine on War Rugs

Attorney Mark Gold has an oriental rug in his western Massachusetts home that most people call “nice-looking” until he tells them to inspect it more closely. Then they’re enthralled, because this is no run-of-the-mill textile—it’s what is called an Afghan war rug, and what it depicts is somber and stunning: cleverly mixed with age-old botanical and geometric designs are tanks, hand grenades and helicopters. “It’s a beautiful piece in its own right,” says Gold, “but I also think telling a cultural story in that traditional medium is fascinating.”

by Mimi Kirk

Weavings of War Exhibition Review


From The Salt Lake Tribune.

Hozain, who weaves on a loom in her home, is one of dozens of textile artists from around the globe whose work is included in a traveling national exhibit.
…
The common thread among these women of South Africa, Vietnam, Peru and the Middle East is the influence of warfare on their communities, said Lisa Gabbert, a humanities professor at Utah State University and project director. “This exhibit is important because it places women’s voices at the forefront of a public discussion on war,” Gabbert said. “Women’s voices, particularly the voices of poor women from developing countries, are usually left out of such discussions.”

Previous Posts about Weavings of War:New York opening, Hali review, , exhibition photos, and example of WoW rug and regular Baluchi pattern.