Author Archives: Kevin

About Kevin

Kevin Sudeith is an artist and the creator and curator of the war rug collection seen on warrug.com. Beginning as (and remaining) a collector, he began selling war rugs to learn as much as possible about the rugs. Later he sold what he calls "regular rugs" to better study rugs and their historical origins. Sudeith learned how war rugs related to traditional Afghan tribal and workshop rugs as well as the broader Turkmen and Persian rug traditions.

Where Are the Red Rugs?

I received an excellent question from our contact form recently about the lack of Red Rugs available for purchase on warrug.com lately. Below is was my response:

Your question about Red Rugs is a good one. Red Rugs were woven by refugees, primarily Turkmen, in Pakistan during the 1990’s. Since the US forced the Taliban from power in 2001 Turkmen refugees have been returning en masse to their traditional homes in Afghanistan, largely because ISAF offers them sufficient protection from the Taliban ethnic cleansing which drove many families to Pakistan during the 1990’s.

The effects of the Turkmen weavers returning to their homes in Afghanistan is, primarily, two fold. First, as refugees, if one was an engineer, one wove carpets. If one was a doctor, one wove carpets. Now the doctors and engineers are returning to their professions, so there are less weavers available to weave any type of rug. Secondly, many Turkmen weavers who wove Red Rugs in Pakistan are now weaving traditional designs or new variations of traditional designs (Khul Mohammadi mostly).

Much of the Pakistan production has moved to Afghanistan (Khul Mohammadi, Kazak, Vegetable Dye ‘Peshawar’) with the returning weavers, but not Red Rugs. I have not seen any Red Rugs produced in Afghanistan since 2001. In short, there is no more supply of Red Rugs. Occasionally I find a few Red Rugs and I post them, but they are scarce.

Lastly, this elimination of a design is not unique to Red Rugs, yet it continues to surprise me. Almost every war rug “pattern” has its moment of production, which then fades or stops. What is freely available one year, is totally unavailable the next year. Soviet Exodus rugs are one example and WTC rugs to a lesser degree.

Again, thank you for your question. Please write back if you have any further questions or comments.

Contemporary Photos of ISAF in Afghanistan


Quote

British paratroopers Private Danny Berk, right, and Corporal Scott Evens move through a hole blown in a compound wall by a grenade, Saturday Aug. 31, 2008, while protecting a convoy. The convoy consisted of over 100 vehicles in total, some carrying equipment and a new turbine for the power station at the Kajaki Dam. It passed through Taliban positions which were hit with artillery, mortars, Apache Attack helicopters firing rockets and Hellfire missiles, and fast jets dropping precision guided bombs, which resulted in an estimated 250 Taliban casualties. (AP Photo/Sgt. Anthony Boocock, MOD ho)

Thanks John

Indy Video Featuring Kevin Sudeith at the Brooklyn Flea

Video: embed removed March 22, 2024 to remove unwanted and unwelcome javascript

Last spring Indy Video visited me at the Brooklyn Flea on Lafayette and Vanderbilt in Fort Greene, and they produced this very informative video about war rugs. It is well shot, edited, and produced. It will air in NYC on Tuesday, 9/16 at 8:30 PM on channel 67, Thursday, 9/25 at 9 PM on channel 34, and Wednesday, 10/8 at 3:30 PM on channel 34.

Canada’s Textile Museum War Rug Show

A highpoint of my interest in war rugs was attending the opening of Max Allen’s collection of war rugs at Canada’s Textile Museum. Max and everyone at the Textile Museum have developed an excellent war rug database. It has structural data, very good descriptions, and excellent photographs. Bravo!

Toronto is a beautiful and interesting town. I visited a well styled and eclectic independent bookstore called The Monkey’s Paw.

Commencing our tour, Max commended this rug as best of all:

The contenders for my favorite are:

This, truly gorgeous rug, is most historically important:

I talked to Tim and Max about my theory of the “Feedback Loop” specifically regarding this rug:

this group of rugs:

and these Mas’ud rugs:

Max’s guided Tim and me through the galleries. His analysis was animated and very well informed. Succinctly, Max focused on our lack of specific answers to four questions: Who made the rugs? Where were they made? When were they made? What do they mean?

More posts about this show soon…..

Canada’s Textile Museum Opening

(l-r) Sarah Quinton, Nataley Nagy, Max Allen, and Fourth Estate member representing The National Post.

The artist Richard Johnson whose drawings were on display standing in front of “The Mother of All War Rugs”.


Jam Minaret gallery.

Excellent gallery of pictorial rugs, including “Calendar” rugs.

Tim Bonyhady in Rustam gallery.The rug at left is a great beauty.

Press coverage of the show:
TheStar.com
The CBC
The National Post