Fountain War Rug
Very good condition overall. The colors have a Mushwani flavor, but this is probably a Taimani rug given its structure and use of white. This design looks to be a copy of this pattern
| ID#:2070, Fountain War Rug Very good condition overall. The colors have a Mushwani flavor, but this is probably a Taimani rug given its structure and use of white. This design looks to be a copy of this pattern |
 | ID#:2000, Man Before Pool Warning: printf(): Too few arguments in /usr/home/homer1/public_html/warrug/Scripts/If_ids.php on line 52 |
 | ID#:1499, Omar Khayyam Figurative War Rug This intricate colorful blue rug features imagery representative of Persian mathematician, astronomer and philosopher, Omar Khayyam's 'carefree' poetry. Men drink wine (a big taboo in Islamic culture) while women play instruments. Intricate patterns of flowers and branches and vines intertwine with birds, deer, and other small animals. Four cars with various occupants (most notably, the very alert passengers in the top left corner) are present in each corner. The complex border is comprised of several intricate flower and geometric patterns. Two large 'main' borders are bordered by smaller layers of pattern. Some color bleeding is present on the woman in the top left corner of the main field. |
 | ID#:1414, Leela Rug Overall condition is excellent. Base color has faded from that light orange to natural buff color. |
 | ID#:536, Blue War Rug with Women, Birds, and Small Tanks Vintage rug. Please see photos for condition report. This rug exhibits excellent drawing as well as showing the plethora of images of the tribal womens daily life: birds, peacocks, flowers, weaving combs, as well as a few small Soviet tanks. In addition, this rug shows people, most likely the weaver and her small child. This is a powerful means of signing authorship as well as showing the weaver in the context of the images of her life. This powerful folk art was woven in a village during the Soviets war with Afghanistan. Had the artist not been so brave, we would not have this important reminder of her life. Several years after this rug was woven, the Taliban came to power and began enforcing Sharia law, which strictly banned any depiction of living things through art. The woman who wove this had to hide it for many years, or face death by stoning. But why risk life for a rug, one might ask. It is at this very juncture that a rug becomes art. Through the courage and determination of the artist of this rug, she and her family can continue to live on through the hearts and minds of all who set eyes on this beautiful piece. In this rug, we get a rare glimpse of the life of the artist. We see her combs, flowers and birds. We see her depiction of her family in the people she created so masterly. Strength was particularly important, because hidden among these images, in almost a whereas Waldo- like fashion, we see elements of what was certainly also part of her very immediate existence, Soviet tanks. She displays them like many of the artists of her time, as she showed them in a benign way. We can never forget her story and the view of life she continues to provide. |