Not only am I into the art of presenting and selling war rugs but, I’m also a rock sculptor, reviving the original carvings through impressions presented at the Mike Weiss Gallery. Check out this write up on NPR, written by contributor, Alva Noe : http://www.npr.org/sections/13.7/2016/04/23/474717276/making-art-from-life
Art is about context …
I sure hope you got a chance to check out those story-felt Afghan war rugs at Temple University’s Samuel L. Paley’s Library , room 303.
Today’s New York Times Metropolitan section has a story by Tammy La Gorce about the show ‘Art Amongst War’ at The College of New Jersey’s Art Gallery. The show is curated by Deborah Hutton, and it features an array of art made by Afghan artists including 5 war rugs loaned by warrug.com, including the one in Times’ story. The show includes fine paintings, beautiful needlework, historical and contemporary video, installation art and some beautiful and haunting photographs.
“The anonymous weavers of six 1980s and 1990s-era “war rugs” — carpets whose motifs include land mines, guns and soldiers — may have had no formal training, learning from their relatives, but they have incorporated the grim realities of life in a war zone into their traditional craft.”
The folks at City Lore have posted an exhibition web site for the Weavings of War: Fabrics of Memory exhibition. Nice design. Tank slider is a nice touch.
A highpoint of my interest in war rugs was attending the opening of Max Allen’s collection of war rugs at Canada’s Textile Museum. Max and everyone at the Textile Museum have developed an excellent war rug database. It has structural data, very good descriptions, and excellent photographs. Bravo!
Toronto is a beautiful and interesting town. I visited a well styled and eclectic independent bookstore called The Monkey’s Paw.
Commencing our tour, Max commended this rug as best of all:
The contenders for my favorite are:
This, truly gorgeous rug, is most historically important:
I talked to Tim and Max about my theory of the “Feedback Loop” specifically regarding this rug:
this group of rugs:
and these Mas’ud rugs:
Max’s guided Tim and me through the galleries. His analysis was animated and very well informed. Succinctly, Max focused on our lack of specific answers to four questions: Who made the rugs? Where were they made? When were they made? What do they mean?
More posts about this show soon…..
(l-r) Sarah Quinton, Nataley Nagy, Max Allen, and Fourth Estate member representing The National Post.
Jam Minaret gallery.
Excellent gallery of pictorial rugs, including “Calendar” rugs.
Tim Bonyhady in Rustam gallery.The rug at left is a great beauty.
Textile expert and war rug aficionado Max Allen has curated an exhibition of his war rugs at Canada’s Textile Museum which opens April 23. There is a story today from Reuters about the show.
“It’s hard to tell what a particular rug is supposed to mean when its history is hidden and its maker is unknown,” said Max Allen, the curator of the exhibit.
“What’s left are the rugs themselves — eloquent anonymous documents of a world turned upside down,” he added in an interview.
For Allen all of the rugs are important cultural documents about the events that occurred in that part of the world.
“There’s never been anything like them before and they are war from the ground up,” he said.
Hozain, who weaves on a loom in her home, is one of dozens of textile artists from around the globe whose work is included in a traveling national exhibit.
The common thread among these women of South Africa, Vietnam, Peru and the Middle East is the influence of warfare on their communities, said Lisa Gabbert, a humanities professor at Utah State University and project director. “This exhibit is important because it places women’s voices at the forefront of a public discussion on war,” Gabbert said. “Women’s voices, particularly the voices of poor women from developing countries, are usually left out of such discussions.”
Previous Posts about Weavings of War:New York opening, Hali review, , exhibition photos, and example of WoW rug and regular Baluchi pattern.